Barclay James Harvest ‎- Live (1974) (Double LP) (24-Bit/96Khz) (Vinyl Rip)

Barclay James Harvest ‎– Live
Vinyl | LOG | CUE | FLAC | Tags | Full LP Cover (1:1)
24bit/96kHz: 1.62gb
Genre: Progressive-Rock | Label: Polydor / 2679 034 | German Pressing | Release: 1974

This live from “Barclay James Harvest” (BJH) is a cornerstone in regard to progressive rock, all songs it are a little masterpieces.
At one time I said that the BJH not possess great voices, but they manage to get out of the inertia thanks to its beautiful compositions and vocal arrangements. Many songs presented here are in their best album (in my opinion) “Everyone is everybody else”. Here the instrument looks is the Mellotron, giving the feeling of string orchestra.
Songs that advise hear:
-Galadriel (what a beautiful ballad!)
-For no one
-Negative Earth
-Paper Wings
-The Great 1974 Mining Disaster

I call it a masterpiece of progressive rock.

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Mozart – Wind Serenades (Chamber Soloists of the RPO) [Naim 2007] [Official Digital Download 24bit/88,2khz]

Mozart – Wind Serenades (Chamber Soloists of the RPO) [Naim 2007]
FLAC (tracks) 24 bit/88,2 kHz | Time – 71:14 minutes | 1,14 GB
Source: Naim Records | Artwork

The Viennese newspapers of 23 March 1784 announced a concert at the Imperial Royal National Court Theatre to be given by the clarinettist Anton Stadler, ‘at which, among other well chosen pieces, a large wind work of a very special kind composed by Herr Mozart will be performed’. A member of the audience, Johann Friedrich Schink, listed the thirteen instruments in his diary and noted that ‘at each instrument sat a master – oh, what an effect it made – glorious and grand, excellent and sublime!’ Although Schink heard only four movements, this must have been the Serenade in B flat, K361. (The misspelt title ‘Gran Partitta’ and the erroneous date ‘1780′ were added to Mozart’s manuscript by an unknown hand.) Mozart was a close friend of Anton Stadler, and later wrote the Clarinet Concerto and Quintet for him: in his honour, Mozart augmented the basic ‘Harmonie’ octet with a second pair of horns, two basset-horns and a string bass (or contrabassoon), thus creating this ‘large wind work of a very special kind’. We do not know which four movements Schink heard; nor do we know when, or for what occasion, the remaining three movements were added.

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Recoil A Strange Hour In Budapest 2012 720p MBluRay x264-FKKHD

Alan Wilder is the former sounds genius of DEPECHE MODE. The concert film ‘A Strange Hour In Budapest’ was presented during 2010 & 2011 in 52 cities across the world as part of the ‘Selected Events’ tour to celebrate 25 years of Alan Wilder’s solo project RECOIL. As an antidote to the demands of DEPECHE MODE, his studio project RECOIL was born in the mid-eighties. Two albums were released before he left DEPECHE MODE in 1995. He has since released ‘Unsound Methods’ (1997), ‘Liquid’ (2000) ‘subHuman’ (2007) and ‘Selected’ (2010) and worked with a varied selection of vocalists.

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Paul Simon Live in New York City 2012 720p MBluRay x264-LOUNGE

If folk music is by its very definition music of the people, music reflecting idioms of those not especially well schooled in complex composition, what might that mean for labeling the music of Paul Simon, an artist whose early work at least was lumped into that “folk music” genre? Could Simon’s often brainy approach be termed “folk music for the intelligentsia?” Even in the earliest efforts of Simon & Garfunkel, Simon’s brilliant lyrics and harmonically adventurous music was hardly made of the same stuff as the work of, say, Woody Guthrie or even Bob Dylan. And through the years of Simon & Garfunkel, things only got more complex, culminating in everything from the almost Baroque splendor of “Bridge Over Troubled Water” to the Andes-flavored “El Condor Pasa”. Once Simon and Garfunkel split, Simon seemed intent on proving himself even more of a Renaissance Man, giving us hints of everything from doo-wop (“Kodachrome”) to a sort of Billy Joel-esque, quasi-jazz balladry (“Still Crazy After All These Years”). Simon is not an especially warm personality and can in fact come off as a bit (or even more than a bit) on the self-absorbed side (see Under African Skies, the recent documentary recounting the story and legacy ofGraceland, for some great examples), and he is also an often laconic singer, but in this intimate 2011 concert filmed at New York City’s Webster Hall, he moves through a career spanning array of tunes and seems if not exactly self effacing at least in a relatively personable frame of mind.

http://www.blu-ray.com/movies/Paul-Simon-Live-In-New-York-City-Blu-ray/52663/

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Valley Girl – Soundtrack (1984) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Valley Girl – Soundtrack (1984) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

vinyl rip in 24/96 & 16/44.1 | 306 MB & 204 MB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | Test Pressing – Never Released
Genre: Soundtrack | Avatar Records ~ AVAL 5

The soundtrack to Valley Girl features a host of new wave recording artists including The Plimsouls and Josie Cotton, both of whom appeared in the film. Songs by Bonnie Hayes, Modern English, and the Payola$ were also featured prominently. The planned release of a soundtrack album on Epic Records was cancelled due to the clearance problems with some of the songs. The album was never commercially released, but a few copies leaked out and became highly valued collector’s items.

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Tri Yann – Suite Gallaise (1974) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Tri Yann – Suite Gallaise (1974) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Vinyl | LOG | CUE | FLAC | Full LP Cover (1:1)
24bit/48kHz: 476mb & 16bit/44kHz: 259mb
Genre: Progressive-Folk | Label: Marzelle – 6325 700 | Release: 1974

This is the third album of Tri Yann “Suite gallaise”. I think it is one of the fundamentals of his discography, and perceived a change in the way of facing the music. I also think that this is the last of his pure folk LP cut, and that he would be the turn discography to “Urba” (the critics dubs it the best).
Returning to “Suite gallaise”, I recommend listening to “De La Blanche Biche Complainte” and “Don Cad E Without you Without” by the brilliant french-breton folk.

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The Last American Virgin – Soundtrack (1982) (First US Pressing) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

The Last American Virgin – Soundtrack (1982) (First US Pressing) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

vinyl rip in 24/96 & 16/44.1 | 832 MB & 237 MB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | First US Pressing
Genre: Soundtrack | Columbia Records ~ JS 38279

The Last American Virgin is a 1982 American coming-of-age film, a remake of the Israeli film Eskimo Limon (1978).
After the success of the original and several sequels, writer/director Boaz Davidson re-teamed with producers Golan-Globus to attempt to re-create the same success in the United States. Davidson decided to change a few key elements from the original. Eskimo Limon was a nostalgia film about kids growing up in 1950s Israel — similar to George Lucas’s American Graffiti, however the remake was set in then-present-day suburban Los Angeles. The soundtrack was also updated from golden oldies to more contemporary New Wave rock.
I have included full scans.

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Night Of The Living Dead – Soundtrack (1968) (First US Pressing) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Night Of The Living Dead – Soundtrack (1968) (First US Pressing) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

vinyl rip in 24/96 & 16/44.1 | 824 MB & 216 MB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | First US Pressing
Genre: Soundtrack | Verèse Sarabande Records ~ VS-81151

Night of the Living Dead is a 1968 independent horror film and cult film directed by George A. Romero, starring Duane Jones, Judith O’Dea and Karl Hardman. It premiered on October 1, 1968, and was completed on a US$114,000 budget. After decades of cinematic re-releases, the film was a financial success, grossing $12 million domestically and $18 million internationally. Night of the Living Dead was heavily criticized during its release because of its explicit content, but received critical acclaim and was selected by the Library of Congress for preservation in the National Film Registry as a film deemed “culturally, historically or aesthetically significant.” The film entered the public domain due to an error by the distributor.
The filmmakers for Night of the Living Dead went with cues from Capital Hi-Q 1950′s Production Music Library. In 1982, Varèse Sarabande compiled the various cues used, added some dialogue bits and released it as an LP soundtrack. This has never seen an official CD release.
I have included full scans.

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Kate And Anna McGarrigle – Dancer With Bruised Knees (1977) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Kate And Anna McGarrigle – Dancer With Bruised Knees (1977) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Vinyl Rip in 24 Bit-96 kHz | Redbook 16 Bit-44 kHz | FLAC | Cue | No Log | Scans | 810 MB + 210 MB
1977 / Genre: Folk – Contemporary Folk – Warner Bros – UK

“Dancer with Bruised Knees” is a 1977 album by Kate and Anna McGarrigle. It employed several notable folk musicians to contribute a bluegrass feel to many of the tracks. The album also includes three French songs,
one by the McGarrigles with Philippe Tatartcheff, and two traditional numbers.
Enjoy this second LP of the McGarrigle sisters; it is a beautiful album with delicate and harmonious music.

Note > No silence was deleted; please burn this album gapless..

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Jon And Vangelis – The Friends Of Mr Cairo (1981) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Jon And Vangelis – The Friends Of Mr Cairo (1981) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Vinyl Rip in 24 Bit-96 kHz | Redbook 16 Bit-44 kHz | FLAC | Cue | No Log | Scans | 907 MB + 254 MB
1981 / Genre: Electronic – Art-Rock – Polydor – NL

The Friends of Mr Cairo is the second collaboration of Jon Anderson and Vangelis as Jon & Vangelis. There are two editions of this album, with different sleeves. Both versions were released in 1981 within a few weeks of each other. The title track, “The Friends Of Mr Cairo”, peaked at nr. 1 for 5 weeks on the Canadian singles chart in late 1981.
The fantastic title track of this album you can hear and see on Youtube. Enjoy this beautiful highlight album and excellent recording!

Note > No silence was deleted; please burn this album gapless..

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John Scofield – Still Warm (1986) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

John Scofield – Still Warm (1986) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Vinyl Rip in 24 Bit-96 kHz | Redbook 16 Bit-44 kHz | FLAC | Cue | No Log | Scans | 880 MB + 248 MB
1986 / Genre: Jazz-Fusion / Gramavision Records – DE

Impressive energetic and melodic Jazz-Fusion; one of Scofield’s best albums! If you like Metheny this album is a must..
Mastering was done by Bob Ludwig and you can hear that. This album has an open, warm and lifelike (dynamic) soundstage!

Note > No silence was deleted; please burn this album gapless..

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John McLaughlin, Al Di Meola, Paco De Lucía – Friday Night In San Francisco (1981) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

John McLaughlin, Al Di Meola, Paco De Lucía – Friday Night In San Francisco (1981) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Vinyl | LOG | CUE | FLAC | Full LP Cover (1:1)
24bit/48kHz: 508mb & 16bit/44kHz: 256mb
Genre: Acoustic-Fusion | Label: Columbia – FC 37152 | Original First US Pressing | Release: 1981

The day I heard these 3 musicians, I was literally “combed back.” Is that this concert became part of the essential (long before fashion “unplugged”).
Somehow John McLaughlin, Al Di Meola and Paco De Lucía, became my heroes (and many).
Certainly they kept together in another job, but without the same impact. I also had the opportunity to see them live, and I must confess that I left a little disappointed, as Al Di Meola used much pedal and sound effects that took away all warmth to guitars.
Anyone who has attended this concert must have been impressed at the time.

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John Mayall – Blues from Laurel Canyon (EU Reissue, 1989) (24-Bit/96 Khz) (Vinyl Rip)


John Mayall – Blues from Laurel Canyon (EU Reissue, 1989) (24-Bit/96 Khz) (Vinyl Rip)

Vinyl rip in 24 Bit/96 kHz | FLAC tracks | Tech Log | Artwork HR | 1,02 GB
Deram – 820 539-1 {EU Reissue, Remaster 1989}| Rock, Blues

“Blues from Laurel Canyon is a 1968 album by John Mayall, featuring British blues music. It was his first album after the breakup of his band the Bluesbreakers on 14 July 1968. It was also his last album with Decca before moving to Polydor. “

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Halloween II – Soundtrack (1981) (First US Pressing) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Halloween II – Soundtrack (1981) (First US Pressing) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

vinyl rip in 24/96 & 16/44.1 | 692 MB & 185 MB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | First US Pressing
Genre: Soundtrack | Verèse Sarabande Records ~ STV 81152

Halloween II is a 1981 Horror film directed by Rick Rosenthal, and written by John Carpenter and Debra Hill. It is the second installment in the Halloween series and is a direct sequel to Halloween set on the same night of October 31, 1978 as the seemingly unkillable Michael Myers continues to follow his intended victim (his sister) Laurie Strode (Jamie Lee Curtis) to a nearby hospital while Dr. Sam Loomis (Donald Pleasence) is still in pursuit of his patient. Stylistically, Halloween II reproduces certain key elements that made the original Halloween a success, such as first-person camera perspectives and unexceptional settings. The sequel was a box office success, grossing over $25.5 million in the United States.

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Halloween – Soundtrack (1978) (First US Pressing) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

Halloween – Soundtrack (1978) (First US Pressing) (24-Bit/96 Khz + 16-Bit/44.1Khz) (Vinyl Rip)

vinyl rip in 24/96 & 16/44.1 | 738 MB & 196 MB | FLAC | no cue or log (vinyl)
DR Analysis | Full LP Artwork | First US Pressing
Genre: Soundtrack | Verèse Sarabande Records ~ STV 81176

Halloween is a 1978 independent horror film directed, produced, and scored by John Carpenter, co-written with Debra Hill, and starring Donald Pleasence and Jamie Lee Curtis in her film debut. The film was the first installment in what became the Halloween franchise. The plot is set in the fictional midwestern town of Haddonfield, Illinois. On Halloween 1963, six year old Michael Myers murders his older sister by stabbing her with a kitchen knife. Fifteen years later, he escapes from a psychiatric hospital, returns home, and stalks teenager Laurie Strode and her friends. Michael’s psychiatrist Dr. Sam Loomis suspects Michael’s intentions, and follows him to Haddonfield to try to prevent him from killing.

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